01997nam a2200349 a 4500001001400000003000700014005001700021006001900038007001500057008004100072020003500113020003200148020002800180020003100208039008300239040000800322090002500330100002100355245009900376260005000475300004500525500004600570504009300616505046100709538002901170650005301199856011201252952012101364999003701485999001301522999011201535vtls000050778KUKTEM20251117141451.0m    f   d        cr cnu---unuuu110110t2009    ctua   fobk   001 0 eng d  a9780275998615 (electronic bk.)  a0275998614 (electronic bk.)  a0275998606 (alk. paper)  a9780275998608 (alk. paper) 9a201107140022bVLOADc201105121449dfauziy201101101218zidawimport 2.mrkx335  aUMP  aML3534.6.G7 P47 20091 aPerone, James E.10aMods, rockers, and the music of the British invasionh[electronic resource] /cJames E. Perone  aWestport, Conn. :bPraeger Publishers,cc2009  a1 online resource (viii, 214 p.) :bill.  aDescription based on print version record  aIncludes bibliographical references (p. [181]-185), discography(p. [187]-201), and index0 aIntroduction: the Mods versus the Rockers -- Skiffle and 1950s British rockers -- 1960-1963: from the rocker aesthetic to the mod aesthetic -- The Beatles and Merseybeat: balancing the sides -- A different sort of balance: the Dave Clark Five -- The Who and the Kinks: mod to the core -- The blues and R & B bands -- The Rolling Stones: it all starts with the blues -- And that's not all: other British invasion artists -- Impact on America and conclusions  aMode of access: Internet 0aRock musiczGreat BritainxHistory and criticism403NetLibraryuhttp://www.netlibrary.com.libraryumpsa.idm.oclc.org/urlapi.asp?action=summary&v=1&bookid=280852  00104071a10000b10000d2019-09-04l0oML3534.6.G7 P47 2009p0000056838r2019-09-04 00:00:00t1w2019-09-04yEBOOK  z634293014559499162c17594d17600  aVIRTUA40  aVTLSSORT0060*0070*0080*0200*0201*0202*0203*0400*0900*1000*2450*2600*3000*5000*5040*5050*5380*6500*8560*9992