02128nam a2200349 a 4500001001400000003000700014005001700021006001900038007001500057008004100072020003500113020003200148020003900180020003600219020003800255020003500293040000800328100002100336245011900357260006200476300004500538490002100583500004600604504006500650505074600715538002901461650004901490650004901539650005701588830002101645856011201666vtls000050857KUKTEM20251117141452.0m f d cr cnu---unuuu110110t2009 ncua fob s001 0 eng d a9780807894194 (electronic bk.) a0807894192 (electronic bk.) a9780807832691 (cloth : alk. paper) a0807832693 (cloth : alk. paper) a9780807859407 (pbk. : alk. paper) a0807859400 (pbk. : alk. paper) aUMP1 aStock, Ann Marie10aOn location in Cubah[electronic resource] :bstreet filmaking [sic] during times of transition /cAnn Marie Stock aChapel Hill :bUniversity of North Carolina Press,cc2009 a1 online resource (xxiv, 340 p.) :bill.1 aEnvisioning Cuba aDescription based on print version record aIncludes bibliographical references (p. [317]-327) and index0 aIntroduction: screening an island nation in transition -- Documenting tumultuous times: new culture organizations proffer alternatives -- Establishing community media in the mountains: Televisi�on Serrana strengthens highland identity -- Balancing tradition and innovation: the National Animation Studio negotiates the global marketplace -- Opening new roads: Juan Carlos Cremata Malberti redefines revolutionary filmmaking -- Promoting popular genres: Pavel Giroud revises conceptions of Cuban cinema -- Filming in the margins: Esteban Insausti explores life and art amidst chaos -- Making space for new interventions: a montage from the national exhibit of new filmmakers -- Epilogue: reflections on Cuba, filmmaking, and the times ahead aMode of access: Internet 0aMotion pictureszCubaxHistoryy20th century 0aMotion pictureszCubaxHistoryy21st century 0aMotion picturesxStudy and teaching (Graduate)zCuba 0aEnvisioning Cuba403NetLibraryuhttp://www.netlibrary.com.libraryumpsa.idm.oclc.org/urlapi.asp?action=summary&v=1&bookid=282908