02067nam a2200325 a 4500001001400000003000700014005001700021008004100038020004300079020004000122020003800162020003500200039010700235040000800342090002500350100001800375245007200393260006400465300003400529490003800563504006300601505061100664650004301275650003201318830003801350856008301388952013601471999002701607999010701634vtls000039080KUKTEM20251117150142.0090701t2009    enka   f b    001 0 eng d  a9781405160254 (hardcover : alk. paper)  a140516025X (hardcover : alk. paper)  a9781405160261 (pbk. : alk. paper)  a1405160268 (pbk. : alk. paper) 9a201107132334bVLOADc201007121249dfauzic201007121248dfauzic200908141640dVLOADy200907010925zshah  aUMP  aPN1995.9.R4 G73 20091 aGrace, Pamela14aThe religious film :bChristianity and the hagiopic /cPamela Grace  aChichester, U.K. ;aMalden, Mass. :bWiley-Blackwell,c2009  axii, 180 p. :bill. ;c23 cm.1 aNew approaches to film genre ;v4  aIncludes bibliographical references (p. 157-169) and index0 aThe religious film and the hagiopic -- Historical overview -- Critical overview -- King of Kings (1961): spectacle and anti-spectacle -- The Song of Bernadette (1943): the religious comfort film -- Jesus Christ Superstar (1973) and Jesus Christ Superstar (2000): the religious musical -- The Gospel According to Matthew (1964) and Jesus of Montreal (1989): the alternative hagiopic -- The Passion of Joan of Arc (1928) and The Messenger: The Story of Joan of Arc (1999): transcendence and exploitation -- The Last Temptation of Christ (1988) and The Passion of the Christ (2004): the sacrificial hagiopic   0aReligious filmsxHistory and criticism 0aReligion in motion pictures 0aNew approaches to film genre ;v4413Table of contents onlyuhttp://www.loc.gov/catdir/toc/ecip0828/2008041529.html  00104070a10000b10000d2019-09-04g274.23l0oPN1995.9.R4 G73 2009p0000047968r2019-09-04 00:00:00t1v274.23w2019-09-04yOPEN  aVIRTUA40c52490d52496  aVTLSSORT0080*0200*0201*0202*0203*0400*0900*1000*2450*2600*3000*4900*5040*5050*6500*6501*8300*8560*9991