000 03311ntm a2200337 i 4500
003 MY-KuUP
005 20260216155856.0
006 t||||fr|||| 000 0
007 ta
008 260216t20252025my a|||fr|||| 000 0 eng d
020 _aTHE0010337 (Local)
_qHardback
040 _aUMPSA
_beng
_cUMPSA
_erda
090 _aPSK .N39 2025 r Thesis
100 1 _aNorbayanti Binti Abu Bakar,
_eauthor.
245 1 0 _aRekonstruksi citra dalam motif tenun pahang sebagai kearifan tempatan /
_cNorbayanti Binti Abu Bakar
264 1 _aKuantan, Pahang :
_bUMPSA
_c2025
264 4 _c© 2025
300 _axvi, 363 pages :
_billustrations (some color) ;
_c30 cm. +
_e1 _eCD-ROM
336 _2rdacontent
_atext
337 _2rdamedia
_aunmediated
338 _2rdacarrier
_avolume
347 _2rda
_atext file
_bPDF
500 _aCentre for Human Sciences
502 _aThesis (Doctor of Philosophy) -- Universiti Malaysia Pahang - 2025
504 _aIncludes bibliographical references
520 3 _aTenun Pahang (TP) is a traditional Malay textile that represents the artisanal heritage of the state of Pahang. It originated from Sulawesi and was introduced to the Malay Peninsula more than 300 years ago, around the year 1722. This study aims to describe the elements involved in the formation of Tenun Pahang motifs and to analyse them as expressions of the values, knowledge, and wisdom embedded in the local wisdom of the Pahang community. The qualitative descriptive data collected were analysed inductively to achieve the objectives of the study. This research adopts an ethnographic approach grounded in inductive reasoning, with data gathered through observation, interviews, artifact analysis, and the application of three theoretical frameworks: the theory of mimesis (Plato) from Western art, Zakaria Ali’s Aesthetic of Malay Art, and the Four Creating Process theory by Dzul Haimi in the context of Islamic art. Observations were conducted on the motif production process to enable an in-depth analysis of the formation of Tenun Pahang motifs. Interviews were also carried out with practitioners in the weaving industry during the motif creation process, supported by expert interviews in the field of textiles to obtain professional insights and analysis. The analysis revealed that the motifs of Tenun Pahang (TP), which serve as decorative backgrounds on the products, are inspired by natural elements closely related to the daily lives of the weavers. Tenun Pahang (TP) still preserves traditional techniques inherited through generations, making it a cultural heritage that continues to be practised today. Nevertheless, elements of innovation and creativity have also been incorporated as part of a reconstruction process, allowing for the emergence of more contemporary Tenun Pahang (TP) motifs. This demonstrates that the motifs of Tenun Pahang (TP) represent a harmonious integration between humanity and the natural environment, while also reflecting the values of local wisdom that are significant within the context of traditional Malay textile art. Keywords: Tenun Pahang (TP), Local Wisdom, Motif, Nature, Elements
610 2 0 _aCentre for Human Sciences
_xDissertations
650 0 _aUniversities and colleges
_xDissertations
650 0 _aTheses
_xDissertations
942 _2lcc
_cTHESIS
999 _c104192
_d104198