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|---|---|---|---|
| 001 | vtls000051188 | ||
| 003 | KUKTEM | ||
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| 006 | m d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 110110t2010 nyuag go 001 0 eng d | ||
| 020 | _a9780203873472 (electronic bk.) | ||
| 020 | _a0203873475 (electronic bk.) | ||
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_a201107132206 _bVLOAD _c201104251520 _dida _y201101101222 _zida _wimport 2.mrk _x745 |
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| 040 | _aUMP | ||
| 090 | _aMT6 .S27 2010 | ||
| 100 | 1 | _aSarath, Ed. | |
| 245 | 1 | 0 |
_aMusic theory through improvisation _h[electronic resource] : _ba new approach to musicianship training / _cEdward Sarath |
| 260 |
_aNew York : _bRoutledge, _c2010 |
||
| 300 |
_a1 online resource (xviii, 369 p.) : _bill., music |
||
| 500 | _aIncludes index | ||
| 500 | _aDescription based on print version record | ||
| 505 | 0 | _aImprovisation across boundaries : a trans-stylistic approach -- Music fundamentals -- Modality and rhythm I : time feels -- Modality and rhythm II : small group framework -- Basic tonal materials : triads and seventh chords -- Harmonic functions -- Swing : gloval rhythmic gateway -- Melodic line construction and harmonization -- Chord inversion present and past -- Non-diatonic harmony I : applied chords -- Non-diatonic harmony II : modal mixture -- Figured bass realization at the keyboard -- Extended chords -- Altered extensions -- Diverse approaches to analysis -- Fine-tuning and expanding the jazz palette | |
| 538 | _aMode of access: Internet | ||
| 650 | 0 | _aMusic theory | |
| 650 | 0 |
_aJazz _xInstruction and study |
|
| 650 | 0 | _aImprovisation (Music) | |
| 856 | 4 | 0 |
_3NetLibrary _uhttp://www.netlibrary.com.libraryumpsa.idm.oclc.org/urlapi.asp?action=summary&v=1&bookid=289840 |
| 999 |
_z634293014559499162 _c16489 _d16495 |
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